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Yeah, these don't immediately come to mind for me! Good examplesWould you call the various racing/extreme sports games cartoon-y? I'm talking stuff like Wave Race, Excite Bike/Truck/Bots, 1080, that kinda thing.
Yeah, these don't immediately come to mind for me! Good examplesWould you call the various racing/extreme sports games cartoon-y? I'm talking stuff like Wave Race, Excite Bike/Truck/Bots, 1080, that kinda thing.
they do own it yeah, but i dont see them making another game for two reasons: no one to pick it up, and that the lead writer was arrested for owning child pornography in 2012.Eternal Darkness? Does Nintendo own that or did it die with Silicon Knights?
While Nintendo's subsidiaries do have the freedom to choose what they want to do (at least Retro and probably Monolith do) i imagine Nintendo would prefer if they didn't work on the ultra niché series tbh. (Less than a million sellers)There's also Endless Ocean, but that really doesn't seem like something Retro would ever touch.
Nintendo doesnt have too much love for them either, considering Monster Games loved doing them but Nintendo wanted them to become a support studio and then they vanished.Would you call the various racing/extreme sports games cartoon-y? I'm talking stuff like Wave Race, Excite Bike/Truck/Bots, 1080, that kinda thing.
Yeah i know. Again, i apologize, i just had to deal with too many smart people in this forum who act like that.I think of most of Nintendo's IPs as highly stylized, so I was having trouble thinking up ones I personally wouldn't call cartoony, and wasn't coming up with anything other than Metroid. But it wasn't disagreeing with you
They sure are. They have a unique vision in all of their games that def sets them apart from the japanese studios.I think Retro is very suited to making visual content in the "western" style, as it were, and that's partially just a product of it being a Western studio. There is a certain subset of people willing and able to work in Texas, period, and you staff up for a Prime game you're going to slant that hiring even more.
Im mixed on this, for example... I think Prime 1's boss battles are absolutely mediocre, but id definitely agree with Prime 2 and 3.When I think Retro, the defining characteristic, for me, isn't visual, it's their boss fights
I do agree that he seems to enjoy higher difficulty, which he later apologized to the studio's staff. But i am also mixed on retro's boss quality being influenced by him: Although i didn't play the most recent paper mario game, i did hear that the battles and boss fights were a mixed bag.Which I suspect is an influence of Tanabe, as several Retro folk have talked about him being a sort of virtuoso of them, and often pushing the difficulty to the limit.
The consensus for Origami King was the normal battles are a mixed bag but the boss fights were excellent.Although i didn't play the most recent paper mario game, i did hear that the battles and boss fights were a mixed bag.
they do own it yeah, but i dont see them making another game for two reasons: no one to pick it up, and that the lead writer was arrested for owning child pornography in 2012.
Kensuke Tenabe worked on Eternal Darkness. He could potentially champion and team up with a western (or Asian) developer to make a sequel like Nintendo did with the original (Silicon Knights). Nintendo obviously wouldn't have to work with the former lead writer. Now is the perfect time for a new ED given how much more popular survival horror action titles have become.
I don't see Metroid games as being realistic at all visually. The art direction is freaking wild. Imagine a place like Bryyo or Skytown or Sanctuary Fortress or Brinstar or Ghavoran or Norfair. Imagine all the crazy creatures in literally every game. How is any of that realistic?
I think about something like the Bottle Ship and I can see how aspects of it could be considered realistic...ish. But then I remember all the holograms, and just the sheer scale of the thing would not be possible to construct even in humanity's wildest dreams.
There are aspects of realism in there for sure (human characters and such), and everything (especially in Retro's games) is grounded within the context of the world itself, and perhaps that's more what people mean when they refer to realistic, but everything about the visuals to me is just so blatantly alien that I'd never refer to it as being realistic.
Well, Dyack also sucks (though far less) and the game sold terribly so there's just tons of baggage everywhere and there's no reason to do this instead of a new IP.
I sold decently in the US (around 350K). But yeah, it didn't do well worldwide. But it was released early on in GameCube's life and a month removed from Resident Evil remake, both of which hurt it's potential. And survival horror games are much more popular now than back then.
Okay, but you should still just make a new IP, the IP has strongly negative value.
To who? Does the general public know about the lead writer? Or even ED for that matter?
There are certainly reasons to work on an horror game now than there were in the gc era.Kensuke Tenabe worked on Eternal Darkness. He could potentially champion and team up with a western (or Asian) developer to make a sequel like Nintendo did with the original (Silicon Knights). Nintendo obviously wouldn't have to work with the former lead writer. Now is the perfect time for a new ED given how much more popular survival horror action titles have become. Releasing on a much more successful platform wouldn't hurt either.
LMAOOOOOkay, but this puts Horizon Zero Dawn into the cartoony category.
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If no one in the general public knows anything about Eternal Darkness... Why make another Eternal Darkness instead of a new IP like it?
The only addition you get from making ED2 instead of a new game are IGN articles going "remember the time Dennis Dyack tried to rip off Epic and got destroyed in court and the judge forced DD's company to destroy every copy of Too Human?"
Okay, but this puts Horizon Zero Dawn into the cartoony category.
its funny because i kept telling this at the metroid prime 4 thread only for you to ignore it smh.Right, because realistic or cartoony are the only two categories to label everything into.
its funny because i kept telling this at the metroid prime 4 thread only for you to ignore it smh.
I'd figure this has more to do with Retro's location and place in the industry as it expands in general -- it was always considered, as I recall, to put more of a western spin and vibe, and first releasing Metroid Prime probably contributed to that. Again, though, I don't think we can glean much from this regarding whether they might eschew cartoony-described games going forward, but I doubt they'd be putting that that limitation on themselves.Since 2019 in comparison through: they are creating new roles, new divisions, and massively expanding everything. Not just concept artists but directors, producers, senior staff, writers, motion capture artists, etc.
I think we might need to define what is meant by "cartoony," actually, because this seems like it could be a contentious point -- but it also seems like one that's unlikely to actually have a strict definition; however, I'd add that I wouldn't consider something cartoony simply for being stylized or for depicting environments and scenarios that aren't realistic. It probably has more to do with the actual feeling.I'm saying this genuinely - what Nintendo IPs are left if you eliminate "cartoony"?
It's a neat observation, and I do mostly think of him in relation to the western studios. I wonder if there's any intentional focus there and what sorts of partnerships he might further oversee.Tangent - just realizing that Tanabe oversaw all of NLG's Nintendo games, all of Retro's games, and a decent chunk of NST's output. With Vanpool, Skip, and AlphaDream gone, the only Japanese company Tanabe has a working relationship with is Intelligent Systems.
I think I actually have this covered, courtesy of that FromSoft thread:Kensuke Tenabe worked on Eternal Darkness. He could potentially champion and team up with a western (or Asian) developer to make a sequel like Nintendo did with the original (Silicon Knights). Nintendo obviously wouldn't have to work with the former lead writer. Now is the perfect time for a new ED given how much more popular survival horror action titles have become. Releasing on a much more successful platform wouldn't hurt either.
Beyond that, FromSoft Luigi's Mansion -- er, maybe we can find a way to keep incredible animations? -- or Eternal Darkness have a strange allure to them, and that's ignoring that Nintendo might even just want to partner for something new.
I'm not going to expect Nintendo to make a new Eternal Darkness, but strongly negative value is a strong statement. I suspect it's closer to neutral but with a dash of "cult classic" thrown in.Okay, but you should still just make a new IP, the IP has strongly negative value.
Metroid, PikminI'm saying this genuinely - what Nintendo IPs are left if you eliminate "cartoony"?
Metroid is not fully realistic, is more like stylied realism like the Pikimin franchise.If that's the case, my bad. I guess I was focused on the word realistic too much, and it is not a word that I strongly associate with Metroid. As I said a bit ago, it does have aspects of realism for sure, but it's so stylized that those elements aren't as prominent (to my eyes anyway). I've heard others say the Prime games have a realistic artstyle (without further expanding what they mean) and I just can't agree with that sentiment.
When I think of realistic graphics I think about stuff like Uncharted and The Last of Us. I think of Life is Strange, etc. Not crazy stylized sci-fi or fantasy stuff like Zelda and Metroid.
There is a lot of gray area, of course, and something like Horizon falls right in the middle of that for me... Kind of that middle point between being realistic and stylized.
I do appreciate your perspective though, I wasn't trying to ignore you or argue.
Nintendo is know for it child friendly family image, i dont see Nintendo creating a more mature IP, such a action adventure or horror, rated T or M, is more likely they create a franchise in a genre they didnt tackle like FPS like they did with Splatoon.To who? The vast minority of gamers? Does the general public know about the lead writer? Or even ED for that matter? It would essentially be a new IP for most. Just give it a subtitle instead of a number.
Pretty much; again, I don't think there's likely a clear delineation to be found for whether something is cartoony. To some extent, though, we can probably expect Nintendo's releases to be somewhat stylized, which I think is a strength of theirs.Clearly whether something is cartoony or not depends on the argument you want to make.
Nintendo is know for it child friendly family image, i dont see Nintendo creating a more mature IP, such a action adventure or horror, rated T or M, is more likely they create a franchise in a genre they didnt tackle like FPS like they did with Splatoon.
"We've already got an Eternal Darkness. Here, look at this Luigi's Mansion."i think next level games should do a sequel to eternal darkness because silicon knights was canadian and nlg is also canadian
Well, Dyack also sucks (though far less) and the game sold terribly so there's just tons of baggage everywhere and there's no reason to do this instead of a new IP.
no he doesn't.Does this dyack person need to be there? New people take over IP’s so…
anyone knows what happened to Yurie Hattori? she only had 2 credits (2015, 2020) in the last 8 years so I wonder what happened
Dang, she's not here. Maybe she's doing the peripheral but otherwise idkShe was listed on a patent from 2019 for a QoL device. I would guess she's been working on Pokémon Sleep and the GO Plus +.
Well lets be honest in those games. The young adult male was the core demographic and the largest player base. Sure tastes do change over time, but i guess that it was not easy to think that gaming expanded soo much and also to certain other style games. Cutesy games that maybe cater more to women can become juggernauts nowadays , and other casual games as well, thanks to the larger 'casual' audienceI still remember during the gamecube days when "Nintendo needs to make MATURE games for MATURE gamers" was going to be the only way they could ever succeed again. Instead they went with the Wii
And is likely to try to keep it that way, putting a particular focus on Mario and the Expanded DK-verse, as well as Splatoon, Pikmin, Animal Crossing, even Zelda, but that doesn't mean they never dabble in other areas.Nintendo is know for it child friendly family image
Internally, it's not unlikely they eschew such, though some of their studios -- MonolithSoft, Retro -- might still manage at some point (and Tetsuya Takahashi has mentioned an interest in doing as much, though this hasn't come to fruition thus far).i dont see Nintendo creating a more mature IP
Wasn't that Geist?is more likely they create a franchise in a genre they didnt tackle like FPS
Absolutely not, though I suspect he at least wouldn't be siphoning resources from this one to put toward something else.Does this dyack person need to be there?
During that time, there was also a strong undercurrent of anything that wasn't "mature" being less-than, and there was definitely a strong opposition to anything viewed as being for "casuals" or "for girls." It was, very obviously, in Nintendo's best interest to avoid these markets so as to not be tainted. No true gamer would be able to take this company seriously.Well lets be honest in those games. The young adult male was the core demographic and the largest player base. Sure tastes do change over time, but i guess that it was not easy to think that gaming expanded soo much and also to certain other style games. Cutesy games that maybe cater more to women can become juggernauts nowadays , and other casual games as well, thanks to the larger 'casual' audience
That's because they're replacing it with a sidescrolling Metroid.With the rumored DK game coming from EPD, we’ll probably never get a new DK game from Retro for a very very long time.
absolutely. The main problem as far as im aware is just the total lack of interest.If Retro or NLG came up with a good plan for a new ED, I’d like to think Nintendo would look at it.
Yeah at this point ILCA os one of their go-to partners. However I do not expect a title of from them next year (or a main pokemon game). Next year is the spinoff year: Mystery Dungeon, lets go!Staff of Pokémon Sleep - Bulbapedia, the community-driven Pokémon encyclopedia
bulbapedia.bulbagarden.net
ILCA was credited for planning and engineering on Pokémon Sleep, extending their involvement with the franchise into spin-off territory. Adjust your bets for the 2024 release accordingly.
I’ve always wanted a real horror IP from Nintendo. Even if it’s not ED, I’ll take a new horror IP.absolutely. The main problem as far as im aware is just the total lack of interest.
I wouldn't be surprised if an horror game outsold xenoblade for example, thanks to the huge horror renaissance that happened due to outlast.
fr. it doesnt have to be ed, but i absolutely would love nintendo making their own horror game.I’ve always wanted a real horror IP from Nintendo. Even if it’s not ED, I’ll take a new horror IP.
Is there more context about this?good news
the monolith interview, 2 of the interviewed were not credited on xenoblade 3 or totk and joined monolith 5/6 years ago,maybe the action game is real afterallIs there more context about this?
Sleep was announced back in 2019, so I assume the game had issues and ILCA was brought on to help SELECT BUTTON.Staff of Pokémon Sleep - Bulbapedia, the community-driven Pokémon encyclopedia
bulbapedia.bulbagarden.net
ILCA was credited for planning and engineering on Pokémon Sleep, extending their involvement with the franchise into spin-off territory. Adjust your bets for the 2024 release accordingly.
Dang, she's not here. Maybe she's doing the peripheral but otherwise idk
Funny thing is that Jun was a former major at Vanpool. Was he ever credited on any of ILCA's other games like One Piece Odyssey? Maybe he's indeed strictly doing Nintendo stuff stillSleep was announced back in 2019, so I assume the game had issues and ILCA was brought on to help SELECT BUTTON.
ILCA didn't have too much staff on the game, but Jun Taniguchi (BDSP Planning Lead) is credited.
Nintendo is know for it child friendly family image, i dont see Nintendo creating a more mature IP, such a action adventure or horror, rated T or M, is more likely they create a franchise in a genre they didnt tackle like FPS like they did with Splatoon.