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NSO Mother 3 is out on Nintendo Switch Online today...in Japan.



They really said "we don't f**kin care about europeans and americans, let's have merch in top of that NSO release" 😭

When is Nintendo going to realize that only releasing products to a tiny fraction of the gaming population isn’t going to grow their franchise? Like it’s one thing to release a game only in Japan, but to not even market or release merch in any place but Japan? Insanity
 
When is Nintendo going to realize that only releasing products to a tiny fraction of the gaming population isn’t going to grow their franchise? Like it’s one thing to release a game only in Japan, but to not even market or release merch in any place but Japan? Insanity
I think they consider mother a finished franchise like it's creator
 
When is Nintendo going to realize that only releasing products to a tiny fraction of the gaming population isn’t going to grow their franchise? Like it’s one thing to release a game only in Japan, but to not even market or release merch in any place but Japan? Insanity
I do think you really overestimate how well a franchise like Mother would do in the west. The gaming fanatics screaming about this is very very small but very very vocal. Plus, the franchise is finished. Itoi is busy building Hobonichi products, Mother-branded stationery too. Which is easily obtainable in the west.
 
As others have said I also think this was the final nail in the coffin for an official translation (which would have value to those who don't want to emulate).

Not that I can blame Nintendo too much in this case because there is no scenario where a rerelease would go over well.
 
I think they consider mother a finished franchise like it's creator
Im not saying they should make new games, just that stuff like merch or older games shouldn’t be locked to Japan
I do think you really overestimate how well a franchise like Mother would do in the west. The gaming fanatics screaming about this is very very small but very very vocal. Plus, the franchise is finished. Itoi is busy building Hobonichi products, Mother-branded stationery too. Which is easily obtainable in the west.
Just because they current market for mother is small doesn’t mean it can’t grow. I mean shit, the Mario RPG remake just sold more in a month or two then it did its entire life on the SNES, who’s to say mother can’t expand like that too?
 
Realistically this doesn’t matter at all because anyone could easily play the fan translation on their PC, but it still is a shame that there is no official way for us non Japanese people to enjoy this classic
 
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If they go ahead and release a localised version of this game, it won't be through NSO. They would release it seperately for sale like they did for Fire Emblem: Shadow Dragon & The Blade of Light.

Would make for a pretty freaking sweet E3 season release... and a very nice & cheap way to keep interest going in your sunsetting console with a high profile first party release... just saying Nintendo ;)
 
the days of fan campaigns are long gone, nowadays people just scream about pirating to teach them a lesson or something
What else would this endless cycle, hypothetically, inspire? Propose an alternative solution
 
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This stuff is so insanely overblown, some edits to text that probably would have been done in localization anyway and like two sprites and it would be fine. They have the lua script stuff for this now, it would not be hard.

If you haven't watched it yet, this video makes a convincing argument that the music is by far the larger legal hurdle for localization. To put it very simply, Japanese copyright law is wildly different from US copyright law and doesn't have much of a problem with the "tributes" in the Mother 3 soundtrack, while US law almost definitely would. And rewriting something like 2/3 of the game's music would be a far greater localization challenge than just changing a few sprites and some dialogue you're translating anyway.

 
If you're still waiting, just do yourself a favour and play the fan translation. It's absolutely incredible work by a professional and could easily be mistaken for an official localisation.
 
When is Nintendo going to realize that only releasing products to a tiny fraction of the gaming population isn’t going to grow their franchise? Like it’s one thing to release a game only in Japan, but to not even market or release merch in any place but Japan? Insanity
Mother as a franchise is sorta dead though right? It doesn't seem like it's ever going to get a new game. Another studio might could if Nintendo lets them but they'd probably rather make their own game and keep all the potential profit.

Years from now they might not be able to make money from merch because the series will have had been dead for so long. So merch is to squeeze money out of the niche following while it still has one.
 
As others have said I also think this was the final nail in the coffin for an official translation (which would have value to those who don't want to emulate).

Not that I can blame Nintendo too much in this case because there is no scenario where a rerelease would go over well.
just to offer a counterpoint, Fire Emblem got put on Japanese NSO in March 2019 and got its localized worldwide release in december 2020

I really don't think putting it on Japan's NSO is the factual death knell people are taking it as. Nintendo just doesn't see a reason to hold it back from Japan because to them it's just like any other GBA game (and the timing works out well because I'm guessing most of Japan isn't gonna be that into all the Rare games we just got dumped on us today)
 
If you haven't watched it yet, this video makes a convincing argument that the music is by far the larger legal hurdle for localization. To put it very simply, Japanese copyright law is wildly different from US copyright law and doesn't have much of a problem with the "tributes" in the Mother 3 soundtrack, while US law almost definitely would. And rewriting something like 2/3 of the game's music would be a far greater localization challenge than just changing a few sprites and some dialogue you're translating anyway.



You know that everyone used to say the same thing about Earthbound not being able to get a re-release because of its stolen music samples as well right?

Lo-and-behold, Earthbound got multiple re-releases later on with all of its copyright infringing Monty Python and Beatles samples fully intact.

The only thing stopping Mother 3 from getting an English release is the money & effort required to localise the game from scratch. But quite frankly, if they were willing to put the money, time and effort into localising Fire Emblem SD&THBOL into English? Mother 3/Earthbound Endings is just a matter of time at this point... especially if Nintendo are looking for a cheap & quick way to bolster their first party lineup for Switch with a high profile release while they're putting all of their development teams onto Switch 2 launch window titles.
 
Not sure how anyone can still have legitimate hope after all it’s been through. I knew this day would come where it would get to Japanese NSO and the rest would be left in the cold. If the reason is in fact the “problematic” content, then I don’t know why anyone would expect it to ever happen. A remake like Link’s Awakening? I’m sure they’d deem it too high of a budget. I knew this would happen again - I just didn’t expect the worst joke in gaming to rear its ugly head *today x(
 
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You know that everyone used to say the same thing about Earthbound not being able to get a re-release because of its stolen music samples as well right?

Lo-and-behold, Earthbound got multiple re-releases later on with all of its copyright infringing Monty Python and Beatles samples fully intact.

The only thing stopping Mother 3 from getting an English release is the money & effort required to localise the game from scratch. But quite frankly, if they were willing to put the money, time and effort into localising Fire Emblem SD&THBOL into English? Mother 3/Earthbound Endings is just a matter of time at this point... especially if Nintendo are looking for a cheap & quick way to bolster their first party lineup for Switch with a high profile release while they're putting all of their development teams onto Switch 2 launch window titles.
Mother 3 has far more text than a game like FE.
 
Mother 3 has far more text than a game like FE.

So... you're agreeing with me then? That doesn't change my point at all.

Earthbound Endings would be a far higher profile release than FESD&TBOL either way. As far as previously JPN only first party titles go? It's the holy grail of unlocalised Nintendo titles, and Nintendo themselves are aware of this (to the point where they even paid Adult Swim to make a Robot Chicken sketch about it)
 
If you haven't watched it yet, this video makes a convincing argument that the music is by far the larger legal hurdle for localization. To put it very simply, Japanese copyright law is wildly different from US copyright law and doesn't have much of a problem with the "tributes" in the Mother 3 soundtrack, while US law almost definitely would. And rewriting something like 2/3 of the game's music would be a far greater localization challenge than just changing a few sprites and some dialogue you're translating anyway.


I have seen this and think it's mostly nonsense. This is the same person who had to recently come out and issue an apology for his inaccurate coverage of the Completionist situation as well, I don't think his word is the be all end all here. At that point you could argue that most Mario games shouldn't come out here because of the fact that some of Koji Kondo's tracks sound extremely close to some old jazz fusion albums (honestly I'd say they're more directly referenced in Kondo's work than in the stuff from Mother 3 here). Plus there's parody law to consider as well as the fact that... people sample in US music all the time, it honestly would probably not be hard to get any of the sampled music here cleared and that's if and only if these chiptune tracks would be considered close enough to warrant that in the first place
 
So... you're agreeing with me then? That doesn't change my point at all.

Earthbound Endings would be a far higher profile release than FESD&TBOL either way. As far as previously JPN only first party titles go? It's the holy grail of unlocalised Nintendo titles, and Nintendo themselves are aware of this (to the point where they even paid Adult Swim to make a Robot Chicken sketch about it)
I’m saying nothing about FE’s release makes Mother 3 an inevitability. The Robot Chicken sketch was a decade ago and nothing has changed.
 
I said it in the hardware speculation and I'll say it here:

If they don't have Mother 3 out in the West this year, then they have no fucking business continuing to be a First Party because they clearly can't handle all the necessities of being a major platform holder. It's not just whether or not their hardware has been lacking, it's also the implication that their subpar handling of Mother 3 in the West has zero excuses.

Steam is free and yet it's a thousand times more functional than the Switch's garbage OS and NSO.
 
just to offer a counterpoint, Fire Emblem got put on Japanese NSO in March 2019 and got its localized worldwide release in december 2020

I really don't think putting it on Japan's NSO is the factual death knell people are taking it as. Nintendo just doesn't see a reason to hold it back from Japan because to them it's just like any other GBA game (and the timing works out well because I'm guessing most of Japan isn't gonna be that into all the Rare games we just got dumped on us today)
Fair point. I just think this was the best opportunity they've had to localize it in a while. And fwiw I'd much rather it be permanently on NSO then it be a limited time eshop release.

Clearly they have the resources to translate it and they know the demand is there, so who knows why they keep holding it back. As others have speculated I'm sure it's some combination of music licensing or not wanting to modify the controversial text/sprites.
 
I said it in the hardware speculation and I'll say it here:

If they don't have Mother 3 out in the West this year, then they have no fucking business continuing to be a First Party because they clearly can't handle all the necessities of being a major platform holder. It's not just whether or not their hardware has been lacking, it's also the implication that their subpar handling of Mother 3 in the West has zero excuses.

Steam is free and yet it's a thousand times more functional than the Switch's garbage OS and NSO.
It's funny but this news is just about the only thing that actually could get me feeling like this copypasta unironically


Also for all the oh it's the music people: If they can straight up put Johnny B Goode in Earthbound and have that release over and over with no issue, I really doubt it's music holding Mother 3 back

 
I said it in the hardware speculation and I'll say it here:

If they don't have Mother 3 out in the West this year, then they have no fucking business continuing to be a First Party because they clearly can't handle all the necessities of being a major platform holder. It's not just whether or not their hardware has been lacking, it's also the implication that their subpar handling of Mother 3 in the West has zero excuses.

Steam is free and yet it's a thousand times more functional than the Switch's garbage OS and NSO.
You got me, I almost typed a genuine response
 
Slightly off topic but I just started this yesterday on my Analogue Pocket, I heard that this game had excellent Rhythm based combat, but so far it’s been the same boring (to me) combat as the last game. I’m only about an hour or so into the game but I’m thinking about dropping it, does the combat pick up soon?
 
I know I already posted this earlier but please god just play this game already if you're interested, you don't need permission from a corporation to a play a thing they have no intention of selling to you

Slightly off topic but I just started this yesterday on my Analogue Pocket, I heard that this game had excellent Rhythm based combat, but so far it’s been the same boring (to me) combat as the last game. I’m only about an hour or so into the game but I’m thinking about dropping it, does the combat pick up soon?
you gotta use duster's hypno pendulum
 
Stop bringing up Itoi. Every time it’s discussed about remaking the games or making new games people keep bringing him up like he’s stopping Nintendo from doing anything. He said on Twitter to TELL NINTENDO NOT HIM. Nintendo needs to remake the whole series and get mother 3 to the west.
 
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Random question. That Fire Emblem game they did a limited time release for a few years ago where it had never been localized before, is that on Japanese NSO?

If so, I could still maybe see them doing something similar with Mother 3 eventually. Put up a more expensive separate purchase on the eshop outside of Japan, but just put it in Japan's NSO since they don't need to bother translating it there

e: answering my own question, apparently Fire Emblem Shadow Dragon was put on Japanese NSO in March 2019 and got a separate worldwide release December 2020

I'm not giving up hope. This is the year
I’m going to hold out hope for a release like Fire Emblem that’s hopefully not limited timed. This one has far more appeal than NES Fire Emblem so I think it’ll happen.
I wish I had your optimism.
A classic case of a series that are more talked than played.

This would bomb in the rest of the world.
Given games like Another Code and Endless Ocean are getting new physical releases this year and text heavy games like Famicom Detective Club also got an international release, I respectfully highly disagree.

image.png
 
I wish I had your optimism.

Given games like Another Code and Endless Ocean are getting new physical releases this year and text heavy games like Famicom Detective Club also got an international release, I respectfully highly disagree.

image.png

Trendings on X does not mean anything. None of these are on my trendings page.

Nintendo probably have the data showing that no one played these games on NSO or Wii VC, because it does not make sense to not localize it.
 
Trendings on X does not mean anything. None of these are on my trendings page.

Nintendo probably have the data showing that no one played these games on NSO or Wii VC, because it does not make sense to not localize it.
It’s not a question of a personalized trending page. These are national and international trends. They are played and discussed more than the franchises I’ve referred to above.

I continue to respectfully disagree with your assertion.
 
For all of you citing Fire Emblem:

  • FE1 doesn't have much text relative to other RPGs.
  • NOA already had a fully localized game script that they use as reference material for Fire Emblem Heroes localization. They also have scripts for the other JPN-only FE titles.
Mother 3 is a much larger game with some content that may or may not be the reason an official localization was held off on. You can't apply FE1 reasoning to why/how Mother 3 could/should happen.
 
Still happy I bought Mother 3 back when I could.

When is Nintendo going to realize that only releasing products to a tiny fraction of the gaming population isn’t going to grow their franchise? Like it’s one thing to release a game only in Japan, but to not even market or release merch in any place but Japan? Insanity
Considering Mother in Japan and the folks they attract in the Nintendo Stores, I’m sure they will be fine.
 
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At this point this is more of a self-fulfilling prophecy than actual market testing. And in the terms of filling out an emulator with retro libraries there’s little reason why this would be an impediment.


Fucking Tuff E Nuff is in NSO for god’s sake
Tuff E Nuff is a Jaleco game that doesn't come with the licensing issues Mother 3 would have. Pretty much any game owned by Jaleco (now City Connection) has a good chance of being added to NSO no matter how niche due to nintendo getting a good licensing deal for those.
 
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Trendings on X does not mean anything. None of these are on my trendings page.

Nintendo probably have the data showing that no one played these games on NSO or Wii VC, because it does not make sense to not localize it.
I'm pretty sure the publicly available eshop sales charts that we have from the time show that Earthbound on Wii U VC did extremely well in the west. No way to know the exact sales but it charted pretty high , not just among VC games but on their entire eshop chart including full releases, despite being sold at a markup compared to other SNES games on VC.

https://mynintendonews.com/2013/07/...-console-charts-in-europe-selling-well-in-us/

https://www.polygon.com/2013/8/15/4...d-bestselling-wii-u-eshop-game-in-the-us-last
 
Why the hangup with just downloading the fan translation anyway? Nintendo themselves have made it pretty clear that they are fine with people getting the fan translation. I don't even mean that in some "fuck nintendo for not localizing this" sort of way. Nintendo is well aware of the Mother 3 fan translation and not only have they never sent a C&D to Starmen dot net, but supposedly they gave private word of encouragement.

If you want to play Mother 3 in english, just download the fan translation. Nintendo themselves don't have a problem with it so this can't be interpreted as advocacy of piracy.
 
I'm just excited there's MORE MERCH! The Hobonichi project stuff has (rightly, I guess) focused on Mother 2, but it's the best one's time to shine BAYBEEEEE
 
Why the hangup with just downloading the fan translation anyway? Nintendo themselves have made it pretty clear that they are fine with people getting the fan translation. I don't even mean that in some "fuck nintendo for not localizing this" sort of way. Nintendo is well aware of the Mother 3 fan translation and not only have they never sent a C&D to Starmen dot net, but supposedly they gave private word of encouragement.

If you want to play Mother 3 in english, just download the fan translation. Nintendo themselves don't have a problem with it so this can't be interpreted as advocacy of piracy.
Honestly I just want to play it on my Switch. I already preserved it a long time ago, now I wanna play it cozy on bed.
 
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You know that everyone used to say the same thing about Earthbound not being able to get a re-release because of its stolen music samples as well right?
Yeah, and the video does have a separate section that discusses how there's a qualitative difference between Earthbound's samples and the at times almost direct lifting of Mother 3. I have no background whatsoever in intellectual property law and cannot assess the validity of that discussion, but I have a very hard time seeing how a quality translation of a GBA game done with modern tools (+ a few new sprites) could cost more than the potential revenue generated by an international release, so it's not outlandish to suggest that the issue with Mother 3 is more fundamental (and expensive) than just the text.

I have seen this and think it's mostly nonsense. This is the same person who had to recently come out and issue an apology for his inaccurate coverage of the Completionist situation as well, I don't think his word is the be all end all here. At that point you could argue that most Mario games shouldn't come out here because of the fact that some of Koji Kondo's tracks sound extremely close to some old jazz fusion albums (honestly I'd say they're more directly referenced in Kondo's work than in the stuff from Mother 3 here). Plus there's parody law to consider as well as the fact that... people sample in US music all the time, it honestly would probably not be hard to get any of the sampled music here cleared and that's if and only if these chiptune tracks would be considered close enough to warrant that in the first place
I definitely don't consider his word the be all and end all, but I also don't think his mistakes elsewhere completely nullify his arguments (and discussion of fair use and sampling) here. I don't think Nintendo likes leaving money on the ground, so there probably is something that makes localization noticeably more expensive and risky than you'd expect from a GBA game, and it's hard to see how it could be the text or sprites.
 
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Everyone is saying we can just play the fan translation, but like, isn't there a synch problem or something when you emulate the game that makes it unplayable?
 
Everyone is saying we can just play the fan translation, but like, isn't there a synch problem or something when you emulate the game that makes it unplayable?
Nah, the biggest issue is the timing-based extra hits in the battle system, but it's 1) not necessary to finish the game and 2) still not hard to adjust to, especially with how far cycle-accurate emulators have come in the last decade or so. I finished the game on an emulator years ago without a real problem.
 
If you haven't watched it yet, this video makes a convincing argument that the music is by far the larger legal hurdle for localization. To put it very simply, Japanese copyright law is wildly different from US copyright law and doesn't have much of a problem with the "tributes" in the Mother 3 soundtrack, while US law almost definitely would. And rewriting something like 2/3 of the game's music would be a far greater localization challenge than just changing a few sprites and some dialogue you're translating anyway.


I'm not sure how big of an issue this actually is. Musical copyright trolls don't seem to go after the video game industry. The first two Doom games still constantly get re-released and they do this way more blatantly than Mother 3 does. Doom 2 even contains a straight up cover of Them Bones:

 
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I'm not sure how big of an issue this actually is. Musical copyright trolls don't seem to go after the video game industry. The first two Doom games still constantly get re-released and they do this way more blatantly than Mother 3 does. Doom 2 even contains a straight up cover of Them Bones by Alice in Chains:
Metal Gear Solid had to change its main theme for the first 3 games because of a copyright claim.
 
Metal Gear Solid had to change its main theme for the first 3 games because of a copyright claim.
None of the Metal Gear Solid games, in any of their re-releases, have ever cut out any of the old music used in their original versions, including the master collection from just last year. It is true that the "main theme of MGS" stopped being used after the first few games due to an accusation of plagiarism (not, to my knowledge, any actual copyright claim from anyone) but that seems more to have been a choice not to associate with that song going forward than any sort of actual legal trouble.
 
Honestly it's hard to take Moon's analysis on anything seriously after how much they exposed themselves on the Completionist charity coverage. Their video was so bad they ended up deleting it and apologizing, admitting they hadn't done their due diligence before firing at the hip.

As for Mother 3 in the west, I don't think today's announcement means anything either way. We've had Japan and the West not sync up on NSO announcements or releases before. Look how long it took Japan to get Goldeneye or the West to get Harvest Moon. If they are localizing Mother 3, I think they'll make a big deal out of it in a main direct, probably while they cover a different Japanese only game in their direct.
 
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If you haven't watched it yet, this video makes a convincing argument that the music is by far the larger legal hurdle for localization. To put it very simply, Japanese copyright law is wildly different from US copyright law and doesn't have much of a problem with the "tributes" in the Mother 3 soundtrack, while US law almost definitely would. And rewriting something like 2/3 of the game's music would be a far greater localization challenge than just changing a few sprites and some dialogue you're translating anyway.


Theres no legal hurdle, it’s just people coping.

There were so many YouTube videos and forum posts back in the day about how Earthbound was a copyright and legal nightmare due to its soundtrack and characters and boom: it came to the Wii U two years later with zero changes.
 


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