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Emily
Guest
Reviews are coming in for Steven Spielberg's remake of "West Side Story" and they are very positive.
That's quite an accomplishment because the original 1962 "West Side Story" won 10 oscars, including Best Picture.
Rottentomatoes: 96
Metacritic: 85
San Francisco Chronicle - 5 out of 5
Empire - 10 out of 10
Time - 9 out of 10
The Hollywood Reporter - 9 out of 10
Variety - 8 out of 10
Entertainment Weekly - Grade: A-
IndieWire - Grade: B+
IGN - 9 out of 10
BBC - 5 stars out of 5
The Guardian - 5 stars out of 5
Telegraph - 5 out of 5 stars
Time Out - Rating: 5 out of 5
That's quite an accomplishment because the original 1962 "West Side Story" won 10 oscars, including Best Picture.
Rottentomatoes: 96
Metacritic: 85
San Francisco Chronicle - 5 out of 5
The big news about Steven Spielberg's West Side Story is that it's a magnificent movie, even by Spielberg standards and even by "West Side Story" standards.
Empire - 10 out of 10
But it's Spielberg who is the MVP. He keeps the expressionist colours and bold shapes of the '61 film but opens out the stage to the real world, mixing showy shots, like the stretching shadows of the Jets and Sharks meeting on a battlefield, and lived-in communities, like the giant street party that is 'America', without losing sight of the emotion. Let's hope this is the first and not the only Spielberg musical.
Time - 9 out of 10
Like many—or at least many people vocal on social media—I was a doubter: I had no idea I needed this West Side Story until I saw it. This, possibly, is the best kind of movie, the stealth achievement that has been hiding in plain sight all along. Spielberg is one of the great filmmakers of our time, but he's also one of our most affectionate, a designation that might turn out to be more important in the long run. His vision, and his knack for transferring it to the screen, is formidable. And while he sometimes falls prey to sentimentality, there are worse sins in the grand scheme of a career. There is perhaps no one better at working out the technical angles of creating an illusion; even in his failures, he never comes off as a lever-pusher, like Christopher Nolan, or a mischievous bomb-thrower, like Quentin Tarantino. Like his contemporary Martin Scorsese, he's so old school that he practically is the school.
The Hollywood Reporter - 9 out of 10
While many wondered about Spielberg's chutzpah in tackling a movie musical widely regarded as an ageless classic, his richly satisfying remake gives this version a resplendent life of its own.
Variety - 8 out of 10
"West Side Story" is a bursting, live-wire pageant of a movie. I just wish it had a final act that soared instead of lumbering to what feels like an overly determined message-movie landing.
Entertainment Weekly - Grade: A-
No matter how poignant or pointedly reworked, West Side Story is still high Hollywood fantasy: Where else outside of a sound stage can turf wars be resolved with a warbled melody and a kick-ball-change? But it feels like a rare achievement to even attempt to scale the unscalable and still, after more than half a century, be able to make it sing.
IndieWire - Grade: B+
It's a wonderful musical, and an unabashed Steven Spielberg movie. And the moments in which it most comfortably allows itself to be both of those things at once leave you convinced that some harmonies are worth waiting for, even if it seems like they've been always been around the corner and whistling down the river.
IGN - 9 out of 10
Not everything works in Steven Spielberg's West Side Story — how could it, when the 1961 classic is nigh unimpeachable? — but his visual translation of some of the original's latent ideas makes it a complementary piece. At once rougher and more dazzling, it has tremendous high points that seldom overlap with its predecessor, resulting in a remake that feels both hyper-charged and wholly justified. A true thing of beauty.
BBC - 5 stars out of 5
Directed by Steven Spielberg at his most masterful, with a smartly-conceived screenplay by Tony Kushner and crisp new choreography by Justin Peck, the film honours the production's roots while giving it a 21st-Century sensibility. Full of energy, wit, passion and tragedy, looking backward and forward at once, it is one of the most moving films of the year.
The Guardian - 5 stars out of 5
Steven Spielberg's West Side Story 2.0 is an ecstatic act of ancestor-worship: a vividly dreamed, cunningly modified and visually staggering revival. No one but Spielberg could have brought it off, creating a movie in which Leonard Bernstein's score and Stephen Sondheim's lyrics blaze out with fierce new clarity.
Telegraph - 5 out of 5 stars
There’s no need for Spielberg and Kushner to tease out topicality here. Aspects of West Side Story feel as pertinent today as they must have done on its 1957 Broadway debut. But relevance is easy: timelessness is the real artistic feat. And Spielberg has magnificently pulled it off.
Time Out - Rating: 5 out of 5
There's a substrata of genius-level artists at work here: from Spielberg himself, who delivers his best film in nearly 20 years, to the late, great Stephen Sondheim, Jerome Robbins ,Leonard Bernstein and William Shakespeare -- and you can really feel it.