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Discussion "Zelda: Tears of the Kingdom will be the last significant Nintendo Switch game"

Thing is if you go with the argument of this game isn't on the same level as TotK then nothing is except the next Zelda is of the same level. Maybe these people argue 3d Mario despite the fact 2d Mario sells more than 3d but I feel like this is a stupid quantifer to make. I feel like it's an argument that no matter what you "win" automatically.
 
I like how the OP immediately knew the premise of the thread was wrong but had to come up with some nonsensical reason to justify its existence.
 
Pikmin 4 is a big budget game that pleased players and critics, and also saw an increase in sales, not to mention being literally the third best selling game of the year in Japan.

Metroid Prime 4 will go down as one of the longest Nintendo development cycles ever, accounting for like 8 years if we consider the previous version and 6 years if we only consider after the reboot. There's no way a game has a development as long as this, hiring hundreds of people and outsourcing to other studios and you don't get a super big development cost. It'll also probably be a critically acclaimed game considering the trilogy and MPR.

Super Mario Bros. Wonder had a development cycle of at least 4.5 or 5 years. And that's an EPD produced title, which has been increasingly expanding the sizes of the development teams and outsourcing. It had no deadline for pre-production and prototyping which means it might've even started development before when we think it did. Also it's bound to be like 100 levels or more, with Wonder Flower effects each being unique to one level. The amount of hard work and effort put to make a game this big is no joke. And I don't have to mention it's gonna sell 20 million like it's nothing because I believe everyone knows that. And we don't have to remind y'all what was literally the first billion grossing film of 2023, right?

Super Mario RPG is a full remake of one of the most beloved SNES games of all time. It's not something like remastering a Wii U game, it's turning a "2D" 16 bit game into a modern day visually 3D top down game and with high effort CG-i cutscenes. It's also gonna sell greatly.

Princess Peach Showtime! is all but a new IP. Literally a new series/franchise being born with a beloved character taking the lead on a brand new world, with brand new mechanics, gameplay systems and scope very different from everything else. I'd argue it's just as important as Luigi's Mansion. And it has top end graphics, animations and cutscenes. Also, again, we're just after a Mario movie where Peach took the lead and spotlight pretty heavily. We don't know the sales potential of this game, but I'd think Paper Mario is the floor.

Game Freak is the last to jump of the boat and Pokémon releases are literally the most easy to predict after we saw Scarlet and Violet come in the same year of another mainline Pokemon game(Arceus). They're bound to have a new game in 2024(whether it's Legends 2, remakes of Black/White or both again) - I mean Pokémon remakes with the sole exception of BDSP I think are literally the biggest stretch of the term remake one can make, they're all but new games(Legends being literally a new game unlike anything else). Also with the 15m+ sales that these games generate, not counting the next Pokémon remakes or Legends as important would be the same as not counting Resident Evil 4 or Final Fantasy VII.

Finally, we don't know what Nintendo's efforts with cross gen will be. If Switch 2 ends up being H1 2024, at the very least we know of Metroid Prime 4(a game announced back in 2017 with a budget most Nintendo games can't dream of having) and Paper Mario The Thousand Year Door (a full remake of the game, literally looks like a new Paper Mario, definitely super high effort) as cross gen games. We can also add the rumored Fire Emblem Genealogy of the Holy War remake and the EPD Tokyo Donkey Kong game (with the development time it's gonna get it's just as AAA as a 2D game can get).

The journalists that made these assumptions clearly never knew about Wonder. They most likely new some of the games of the February Direct and thought it was all for 2023(hell, I'd think they'd put MPR in October), coupled with the fact that they heard ramblings of Switch 2 coming in 2024 and assumed Nintendo would go for Wii U 2016 or Wii 2012 with Switch's 2023/2024. They were dead wrong and a game that can turn out to be even more major than TotK in market standards is coming in one month.
 
I like how the OP immediately knew the premise of the thread was wrong but had to come up with some nonsensical reason to justify its existence.
Nonsenical because....




In real life you can also write things to start a constructive debate, there isn't always a conspiracy or an ulterior motive behind it. And then, I'm curious, what interest would I have in trying to defend an article? Sometimes you should think a little harder before writing in certain ways, trust me
 
I didn't know we needed another thread to dogpile on the fools behind this narrative.

Anyways, I'll be sure to enjoy the insignificant Mario game made by the Mario C-team next month.
 
The journalists that made these assumptions clearly never knew about Wonder.
This is what I was saying about the narrative when they first sprouted it. I asked how someone could think they have such detailed awareness of Nintendo's development that they can tell us what isn't coming out, and all I could figure was that they hadn't heard of anything post-TotK and were arrogantly interpreting that to mean there is nothing after TotK. As though they believe they hear of every game in development and can judge their merit ahead of even the reveals.

Plus if he did know about Wonder, and knew enough about it to dismiss it as not counting when he made that statement, wouldn't that be a hell of an inside scoop?? Wouldn't a more engaging article be "I know what the next Mario will be" as opposed to neglecting to even bring it up and insisting instead that nothing is coming?

It's absolutely wild to me.
 
Video game "journalists"? More like video game "meteorologists" am I right? Journalists own up to their L's. Meteorologists shrug their shoulders and continue to spout nonsense like they're never wrong.
 
No, it's objectively wrong. And it's hilarious seeing some try to double down on that with "C-Team" nonsense. All because Nintendo killed E3...
 
This is what I was saying about the narrative when they first sprouted it. I asked how someone could think they have such detailed awareness of Nintendo's development that they can tell us what isn't coming out, and all I could figure was that they hadn't heard of anything post-TotK and were arrogantly interpreting that to mean there is nothing after TotK. As though they believe they hear of every game in development and can judge their merit ahead of even the reveals.

Plus if he did know about Wonder, and knew enough about it to dismiss it as not counting when he made that statement, wouldn't that be a hell of an inside scoop?? Wouldn't a more engaging article be "I know what the next Mario will be" as opposed to neglecting to even bring it up and insisting instead that nothing is coming?

It's absolutely wild to me.
The thing that really made the whole bit wild were the arguments and justifications afterwards. That really sent this whole narrative into another level. The last year or so has been a great lesson for leakers and journalists that they should be very careful about saying what they think they know about Nintendo software. Nintendo is not like other devs. You have to approach them and report on them differently.
 
What is a significant game really? high budget? certain style? Specific franchises ? sales? internetpoints? Whatever arbituary thing possible?

Sometime I feel Nintendo is looked upon at some other weird metric that others arent - Just because they release so many games that sell very well - that doesnt men if it's not an absolute juggernaught it's not significant. How can someone look at Prime 4, possibly one of the most expensive games to produce on the Switch and say it's not significant, looking at Paper Mario TTYD and Super Mario RPG - a couple of the most requested remasters/remakes Nintendo games of all time and say they're not significant etc etc..

Just for fun - the below titles are all releasing post TotK and they're all going to be million sellers.

Pikmin 4
Detective Pikachu Returns
Super Mario Bros. Wonder
Wario Ware Move It
Super Mario RPG
Mario vs. Donkey Kong
Princess Peach Showtime
Luigis Mansion: Dark Moon HD
Metroid Prime 4
Paper Mario: The Thousand Year Door

Nintendo releasing 10 non significant million sellers after Tears of the Kingdom. That's one helluva headline.
 
I didn't read the replies but I can imagine most disagree, me, I am more of a middle man. So obviously I think you're wrong as well. Sorry, couldn't hold myself.

Anyway... Is 2.5D Mario Wonder big? I say yes because it will most definitely be a big sales hit. But I can understand that people still see it as "the lesser Mario experience compared to its 3D counterpart" and really... That is what the discussion comes down to, semantics.

... Which would be an interesting topic starter to hold, if we classify in size what does Fami consider to be "Big" Nintendo games and what are the "Medium" games.

Or scratch that, maybe it just doesn't matter and everyone is entitled to their own opinion so I respect yours as well OP. This will be an endless discussion with no end in sight as long as 2 people disagree over the word "Big"
 
As many others have said, there’s no way that Mario Wonder can be considered a small- or even mid-size title.

It’s a mainline Mario game… the first completely original one since 2017’s Super Mario Odyssey.

Any journalists holding onto the claim that it’s somehow insignificant and not a blockbuster title is trying to defend their clearly disproven notions that TotK was Switch’s last big game.

Dring should do himself a favour and just take the L already.
 
You basically have to turn this argument into "Tears of the Kingdom was the last Tears of the Kingdom on Switch" for it to make any sense, which... yeah? Needless to say, anybody could have told you that, and what point are you even trying to make at that point?
 
There is no planet where a new mainline Super Mario title from EPD is not significant. Please all move on from this and accept that journos got it wrong.

That's your lucky post and am out.
I have nothing to add to this conversation other than pointing out that this might be the most Yeah’d post I’ve seen on this site 😂
 
There is no planet where a new mainline Super Mario title from EPD is not significant. Please all move on from this and accept that journos got it wrong.

That's your lucky post and am out.
The irony of a comment saying "Please all move on from this" getting the most likes I've ever seen on the site ... and the thread is still active and people haven't moved on from this 😂
 
I really don't understand the desire to call Tears of the Kingdom the last "major" Switch game. When you realize you have to make all kinds of caveats and leaps in logic to make it work, it should become clear that it's not true.

Also, why does everyone forget about Pikmin 4?
 
Mario Wonder, Metroid Prime 4 and the Peach game kinda put the kibosh on that.

And if we're limiting it to high budget games that'll sell on par with TOTK then you still have to add the brand new 2D Mario game that has been in development for at least for 3/4 years (the 2D Mario team in Kyoto was already recruiting level designers back in October 2019) . If you don't count that as a big release for Nintendo then you just have a bias against 2D platformers in the same way racing games would never win game awards regardless of their quality.

Technically you can add the remasters/remakes coming out too but I'd say those are more significant from an "emotional" pov for the fans of those projects.
 
I’m so tired of high effort remakes being pushed aside as “lazy” just because they’re remakes.
They could’ve just ported Thousand Year Door with an HD Upscale and people would’ve freaked out over it
They went above and beyond and people are mad about it. I hate Nintendo’s fanbase.
THANK YOU!

Hearing “ugh the direct was just remakes and not new games” over and over pissed me off. Some remakes take a lot of time to make, and to the people that never played the originals they ARE essentially new games
 
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I’m so tired of high effort remakes being pushed aside as “lazy” just because they’re remakes.
They could’ve just ported Thousand Year Door with an HD Upscale and people would’ve freaked out over it
They went above and beyond and people are mad about it. I hate Nintendo’s fanbase.
Uh the remakes def don't count as big titles. But princess peach does. Sorry
 
Quoted by: Ab
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This wasn't true but imo it was truer than folks on here will admit. Wonder is obviously the final "major" exclusive, but I don't think anything else really counts on the level they were talking about and I doubt anything else will be announced that is. TotK is also the last game that requires as many development resources as it does, but that's like....extremely rare anyways.
There will almost assuredly be a gen 5 remake on the Switch in 2024, that'll be the final "major" game.
 
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I really don't understand the desire to call Tears of the Kingdom the last "major" Switch game. When you realize you have to make all kinds of caveats and leaps in logic to make it work, it should become clear that it's not true.

Also, why does everyone forget about Pikmin 4?
Cause it's not >10 million sales in a week or something, even though most games don't sell that on any platform.
 
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ur in the thread as well
I knew I'd get a comment like this. If you can't separate someone saying "wow it's ironic people liked a comment but missed the point of it, people should stop being mad at a silly journalist opinion" from people actively being tilted at Dring months later ... idk what to tell you. This thread wouldn't exist with the former take, it only exists because of the latter. It was a silly take from him but the Nintendo fandom (outside of here too) should move on.
 
I have nothing to add to this conversation other than pointing out that this might be the most Yeah’d post I’ve seen on this site 😂
I was about to say "then clearly you haven't seen some of the Future Hardware posts" but then I double-checked and... whoa. You might be right. 😮

I really don't understand the desire to call Tears of the Kingdom the last "major" Switch game. When you realize you have to make all kinds of caveats and leaps in logic to make it work, it should become clear that it's not true.
IIRC (and someone correct me if this is inaccurate) Dring is somehow involved with the company that puts on E3, so he might have an actual professional interest in trying to frame Nintendo pulling out as "because they have nothing to show" instead of "because they didn't like what E3 was putting together." Which I think was how the whole thing started, he didn't just randomly say "Nintendo has no games after Zelda," he said "Nintendo pulled out of E3 because they have no games after Zelda to show at the event." It may have been an attempt at damage control for ESA or something.

In terms of large vast 3d games, I’d agree
See I think that's why this whole Dring thing stings some of us, because it sorta feeds into the narrative that a game has to be a large 3D experience with a certain style of gameplay in order to be considered "significant."
 
He already clarified that he meant significant as in sales. There are no way a new 2D Mario that have a good chance of outselling TotK is not significant by his standpoint. He's wrong.
 
See I think that's why this whole Dring thing stings some of us, because it sorta feeds into the narrative that a game has to be a large 3D experience with a certain style of gameplay in order to be considered "significant."

For me it has nothing to do with that. I don't care what Dring considers big or significant or important. But making implications about Wonder being an unimportant product from a lesser team is kind of.... Rude. And not even remotely true! Just rude for no reason at all.
 
The irony of a comment saying "Please all move on from this" getting the most likes I've ever seen on the site ... and the thread is still active and people haven't moved on from this 😂
It's almost as ironic as making several comments about the vacuity of other people's comments on a given topic.

I believe that none of this is serious or hostile, and that on the contrary it can lead to substantive discussions that are not necessarily uninteresting, for example on people's relationship to 2D video games, and on the standardization of what is supposed to be "important" in cultural fields.

I'll admit, I personally had a lot of fun hijacking Dring's original message, but that's mainly because I found the gimmick and its possible variations amusing: "now that Totk is out , Nintendo will devote itself to the production of plastic bowls". There was nothing aggressive about it, especially as Dring has always been open to discussion.

However, I don't think it's futile or pointless to dwell on the evolution of the comments made. The initial statement was that Pikmin 4' wasn't a "heavy hitter", which we can agree with or not, but was refering to some sales ands some facts. The problem is that this comment has become "Mario Wonder isn't a major game because it's 2D", which is already a lot, lot more polemical. And I've just learned from this thread that it's now become something like: "Mario Wonder isn't a major game, even if it will sell, because it's made by a C team";

Each successive reaction shows that it's less about having an analysis, and more about imposing one's own personal standards as an objective norm willfully ignoring factual objections.
 
For me it has nothing to do with that. I don't care what Dring considers big or significant or important. But making implications about Wonder being an unimportant product from a lesser team is kind of.... Rude. And not even remotely true! Just rude for no reason at all.
Oh I get that! But you are kinda touching on my point a little as well, which is that it seems to me like he's roundabout saying Wonder is an unimportant product because it isn't a large 3D experience with a certain style of gameplay.

If a new Mario Odyssey was coming out, I'd bet he would not be trying to frame it as some lesser-quality schedule-filler that doesn't count.
 
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We're going to look like utter FOOLS when we boot up Mario Wonder and get greeted by a splash screen that says "Nintendo C-Team".
 
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The irony of a comment saying "Please all move on from this" getting the most likes I've ever seen on the site ... and the thread is still active and people haven't moved on from this 😂
Yes 😂

As if a thread should be considered useless because you don't agree with the thesis presented... In the end, in a forum, a thread is interesting if it creates debate.
But unfortunately people often tend to attack anything if they even suspect that there is a criticism of a Mario game behind it...
 
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What is a significant game really? high budget? certain style? Specific franchises ? sales? internetpoints? Whatever arbituary thing possible?

Sometime I feel Nintendo is looked upon at some other weird metric that others arent - Just because they release so many games that sell very well - that doesnt men if it's not an absolute juggernaught it's not significant. How can someone look at Prime 4, possibly one of the most expensive games to produce on the Switch and say it's not significant, looking at Paper Mario TTYD and Super Mario RPG - a couple of the most requested remasters/remakes Nintendo games of all time and say they're not significant etc etc..

Just for fun - the below titles are all releasing post TotK and they're all going to be million sellers.

Pikmin 4
Detective Pikachu Returns
Super Mario Bros. Wonder
Wario Ware Move It
Super Mario RPG
Mario vs. Donkey Kong
Princess Peach Showtime
Luigis Mansion: Dark Moon HD
Metroid Prime 4
Paper Mario: The Thousand Year Door

Nintendo releasing 10 non significant million sellers after Tears of the Kingdom. That's one helluva headline.
in the head of this person, they only trough big games are this huge AAA releases like TOTK and so on
 
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It's almost as ironic as making several comments about the vacuity of other people's comments on a given topic.

I believe that none of this is serious or hostile, and that on the contrary it can lead to substantive discussions that are not necessarily uninteresting, for example on people's relationship to 2D video games, and on the standardization of what is supposed to be "important" in cultural fields.

I'll admit, I personally had a lot of fun hijacking Dring's original message, but that's mainly because I found the gimmick and its possible variations amusing: "now that Totk is out , Nintendo will devote itself to the production of plastic bowls". There was nothing aggressive about it, especially as Dring has always been open to discussion.

However, I don't think it's futile or pointless to dwell on the evolution of the comments made. The initial statement was that Pikmin 4' wasn't a "heavy hitter", which we can agree with or not, but was refering to some sales ands some facts. The problem is that this comment has become "Mario Wonder isn't a major game because it's 2D", which is already a lot, lot more polemical. And I've just learned from this thread that it's now become something like: "Mario Wonder isn't a major game, even if it will sell, because it's made by a C team";

Each successive reaction shows that it's less about having an analysis, and more about imposing one's own personal standards as an objective norm willfully ignoring factual objections.
I can admit that it's ironic that I made multiple comments in a funny sense, because it keeps the topic more active. However, I still think that's a false equivalence you're drawing. This thread wouldn't exist or at least be active without people genuinely being upset with Dring's take, which isn't true for comments saying people should move on from being upset with Dring. I also didn't say that people's takes are stupid or dumb, so the "vacuity" wording is a bit weird. I did say sad but I genuinely meant that, the fact that a lot of people are bothered by Dring long after is weird. I'm not upset that they're upset, I just think it can poison the well for Nintendo communities a bit, as I suppose people think my comments are doing by saying it's weird to be hyper fixated on Dring. The only reason I made more than one post is I just read Spo's post, and just saw Dring's twitter reply, which I thought was genuinely interesting. The rest were responses to responses to me.

Regardless, this isn't really a fair reply in some sense, no? If I don't respond to it, I can't clarify some of the points you made against my comment, if I do, you get to double down on the "wow you said this discussion gets too much attention but then reply, CURIOUS!". Maybe for now it's better to get rid of the metatextual "does Dring get to much attention" part that I brought up, for the sake of good discussion?

I thought your comment was fantastic overall, though. I definitely agree with making fun of the "serious" issue of the day by making memes out of it. Big fan of that. I also agree that the overarching discussion of what is considered a big game is good and interesting. My problem with that is I don't think most people see that as the central discussion. I don't think it's being discussed because it's an interesting avenue for debate (even though I think that was OP's intention maybe), I think most people would get more frustrated at discussing subjective takes over what "big games" constitute more than anything, which is why even sellers that are small in Nintendo's catalogue often get included in posts as to why Dring is wrong if they at least pass a million.

For me personally, there is a bit of irony in the fact that there is probably only one or two super big games after Tears of the Kingdom at this point, so Dring's comments while completely wrong (especially about the Mario C-team), are not without some merit. I think there's a bit of a distinction to be made. Pikmin 4 is absolutely an AAA game from my perspective, with it's 4-5 million lifetime numbers being pretty big. But I don't think that's the same as it being major in the way this discussion calls for. Basically the only games left are Wonder, and maybe a new Pokemon game if that comes out on Switch. I could actually see Peach game blowing up and selling 10m+, though. Again, I think being an AAA game or a 4-5 million seller in this context is a bit different from being "major" in the way Dring might have originally meant it, Nintendo has so many big sellers that there has to be some room for categorization.

But hey, now that I've responded, I'll probably be spammed with "THE IRONY" and "comment too long", right? ;) I do really appreciate your comment, unironically
 
Perhaps wrong way to explain the point but he is "kinda" right.

A lot of remakes, ports along with 1 or 2 big games before Redrakted.
If what he had said was "Nintendo has a few games coming that fans will love, but nothing on the scale of TotK," then I'd agree he's kinda right. But the guy said "Nintendo has no more games" and was literally commenting at people on twitter who were saying they were looking forward to the June Direct, telling them nothing was coming in it. That's... a little different than just explaining himself badly. Dude was on a mission. 😅
 
I think we already had fun with that ridiculous statement. I also remember trying to defend himself. Switch has a great year and 2024 will be pretty good too until Switch 2 comes.
 
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Do you remember?


Now, after September Direct, can we say that that thesis was correct?

P. S. Certainly Mario Wonder is significant from a commercial point of view, but if we think about the production effort it is a medium-sized title.
  • That would depend on several factors cause even if Super Mario Bros. Wonder is smaller in scale I would say it can do better than Tears of the Kingdom in sheer sales numbers.
  • Looking at budget and development time, if Metroid Prime 4 comes to the Nintendo Switch then I think that game would have been more expensive in a whole.
  • Other than that Pikmin 4, Princess Peach Showtime, Super Mario RPG, F-Zero 99, Another Code, Luigi's Mansion 2 HD, WarioWare, Paper Mario: The Thousand-Year Door are all titles that are significant in their own right.
Summary: No. It wasn't correct.
 
But I'd also really like this topic to be about the perception of what's "important" in the industry, and not about Dring. You're absolutely right in principle. It just seems to me that we can't really talk about "disturbed people long after" when there have been several updates and clarifications of what was said that don't necessarily make it something so "old".

As you say, it is possible to find the response coherent when it concerns the status of Pikmin and to find no logic at all in it when a value judgment is made about a so-called C- team. Yet these two clarifications come from the same person in the same discussion. I don't know if it's fair to boil the issue down to sad people who refuse to move on when there are in fact new clarifications and new comments that go in the direction of a less and less rigorous approach.

It's not about liking or disliking Pikmin, liking or disliking 2D, liking or disliking Mario, liking or disliking Sony or Nintendo. You're right, that's not the point. On the other hand, for a journalist to simply respond to something that directly denigrates a developer, that seems to me to be significant in terms of his perception and intentions. Not to conduct a sad and idiotic manhunt, but because it speaks to a state of mind in the industry.
 


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